Thursday, November 28, 2013

64. Gaudi's Footprint

Antoni Gaudi is probably best known for his famous Sagrada Familia - see earlier blog posts - however he was quite a prolific artist and architect  - and his mosaic works are readily identifiable around Barcelona. 

I chose to visit two of his more popular sites - along with dozens of other tourists mind you.

The Casa Batilo ... a five storied apartment building in the centre of the city ... This is one of Gaudí's largest and most striking residential works. Commissioned by Josep Batlló i Casanovas to renovate an existing building erected in 1875 by Emili Sala Cortés, Gaudí focused on the facade, the main floor, the patio and the roof, and built an additional floor for the staff.

The facade is of Montjuïc sandstone cut to create warped surfaces, the columns are bone-shaped with vegetable decoration. Gaudí kept the rectangular shape of the old building's balconies—with iron railings in the shape of masks — giving the rest of the facade an ascending undulating form. He also faced the facade with ceramic fragments of various colours , which Gaudí obtained from the waste material of the Pelegrí glass works.  
Four of the five floors are occupied today – with the first floor, roof and back courtyard open to hundreds of tourists 7 days all year round !!!  
The interior courtyard is roofed by a skylight supported by an iron structure in the shape of a double T, which rests on a series of catenary aches.  

It is on the roof top that most of the action takes place ...The helicoidal chimneys are a notable feature of the roof, topped with conical caps, covered in clear glass in the centre and ceramics at the top, and surmounted by clear glass balls filled with sand of different colours. The facade culminates in catenary vaults covered with two layers of brick and faced with glazed ceramic tiles in the form of scales (in shades of yellow, green and blue), which resemble a dragon's back; on the left side is a cylindrical turret with anagrams of Jesus, Mary and Joseph, and with Gaudí's four-armed cross.


The Park Guell ... is Gaudí's other famous project (1900–1914) and was commissioned by Eusebi Güell. It was intended to be a residential estate in the style of an English garden city.
The project was unsuccessful: of the 60 plots into which the site was divided only one was sold. Despite this, the park entrances and service areas were built, displaying Gaudí's genius and putting into practice many of his innovative structural solutions.
The Park Güell is situated in Barcelona's Càrmel district, a rugged area, with steep slopes that Gaudí negotiated with a system of viaducts integrated into the terrain. The main entrance to the park has a building on each side, intended as a porter's lodge and an office, and the site is surrounded by a stone and glazed-ceramic wall.
After passing through the gate, steps lead to higher levels, decorated with sculpted fountains, notably the dragon fountain, which has become a symbol of the park and one of Gaudí's most recognised emblems.
These steps lead to the Hypostyle Hall, which was to have been the residents' market, constructed with large Doric columns.
Above this chamber is a large plaza in the form of a Greek theatre, with the famous undulating bench covered in broken ceramics.
The park's show home, the work of Francesc Berenguer, was Gaudí's residence from 1906 to 1926, and currently houses a portion of the Casa-Museu Gaudi.

Roadways around the park to service the intended houses were designed by Gaudí as structures jutting out from the steep hillside or running on viaducts, with separate footpaths in arcades formed under these structures. This minimized the intrusion of the roads, and Gaudí designed them using local stone in a way that integrates them closely into the landscape. His structures echo natural forms, with columns like tree trunks supporting branching vaulting under the roadway.

Pidgeons enjoying the Dragon Fountain
Gaudi's other admired apartment building in Barcelona - Casa Mila
A sad postscript … On 7 June 1926, Gaudí was taking his daily walk to church for his habitual prayer and confession. While walking along the street, he was struck by a passing tram and lost consciousness. Assumed to be a beggar because of his lack of identity documents and shabby clothing, the unconscious Gaudí did not receive immediate aid. Eventually a police officer transported him in a taxi to Hospital, where he received rudimentary care.
By the time that he was recognised on the following day, Gaudí's condition had deteriorated too severely to benefit from additional treatment. Gaudí died on 10 June 1926 at the age of 73 and was buried two days later in the crypt of the Sagrada Familia ...

Tuesday, November 26, 2013

63. Museu Nacional d'Art de Catalunya - #3

My final post of artworks from the National Art Museum of Catalonia covers the years between the turn of the 20th century up to 1950. This is the period of change from Neoclassicism through Art Nouveau to the avant-garde movements of the mid century.

A beautiful collection, exhibited superbly in several galleries - here is just a sample ...

Saint-Mammes. June Sunshine - Alfred Sisley - 1901 
The Marne - Elisue Meifren - 1932
Nu de nen - Agusti Querol - 1900
Portrait of Sra. Amouroux - Ricard Canals - 1910
The Cathedral of the Poor - Jaoquim Mir - 1901
Note: At the turn of the century, Antoni Gaudi's Temple of the Holy Family ( La Sagrada Familia ) - popularly known as the Cathedral of the Poor, stood in the middle of a piece of waste ground. The figures in the foreground are people begging for alms. Nothing has changed in the past 100-plus years - there are still poor souls begging - not only here at the Basilica, but on the entry steps of every church in the city ... 

El Gorg Blau - Jaoquim Mir - stained glass triptych - 1911
The Labyrinth - Jaoquim Mir - 1902
The Rock in the Pond - Jaoquim Mir - 1903
Dona i flors - Miguel Blay - 1904
La bassa nova - Jaoquim Mir - 1909
Thundery Sky - Jaoquim Mire - 1907
The Jewel - Jaoquim Mir - 1910
Terraced Village - Jaoquim Mir - 1909
You may have guessed by now that I took a real fancy to the paintings by Jaoquim Mir - stunning work - my photographs don't do them justice. 

Double Sofa - Antoni Gaudi - 1905
The Grape Vines - Francesc Gimeno - 1902 
A Village in L'Emporda - Francesc Gimeno - 1918 
Study - Isidre Nonell - 1908
Mar latina - Nicolau Raurich - 1906
Joventut - Josep Clara - marble - 1928
Repos - Josep Clara - marble - 1929
Pomona - Enric Casanovas - marble - 1930
Flora - Enric Casanovas - marble - 1917
atrium dome ... 
La galleria - Feliu Elias - 1928
Tematica expansiva - Leandre Cristofol - metal on wood - 1933
Noi dormint - Josep de Togores - 1923
Noies entrellacades - Angel Ferrant - 1950
Printania - Josep de Togores - 1923
Volums estatics - Leandre Cristofol - plaster - 1935
Matter-Metal - Antoni Tapies - 1950
Hieroglyphics - Antoni Tapies - 1950
Jardi classic - Francesc Labarta - stained glass - 1911
Petita camperola - Juli Gonzales - silver - 1933
Nue assegut de perfil - Juli Gonzales - steel - 1929
Woman in Hat and Fur Collar - Pablo Picasso - 1937
Noia rentant-se - Juli Gonzales - 1926
So I finished my visits to this grand museum. There are two other galleries - Drawings, Prints & Posters and Numismatics ( coins etc ) - the former was closed for some reason and the latter didn't really interest me ...
I hope you have enjoyed visiting this museum as much as I did ... please come with me on the next blog adventure when we'll pay a visit to senor Gaudi ...