Marino attended the Accademia di Belle Arti in Florence from 1917 to 1920, and although he never abandoned painting, he devoted himself primarily to sculpture from about 1922, and he is probably best known for his equestrian sculptures.
I first came across his work in Venice and find his sculptures hugely exciting and it was a joy to find a whole museum packed with his works. Although the streets of Florence were packed with pesky tourists, I had the Museum practically to myself which always delights me.
Pomona - bronze - 1945
Cavaliere - bronze - 1947
Cavaliere - bronze - 1949
Giovinetta - bronze - 1938
Il Grido - bronze - 1962
Cavaliere - bronze - 1953
Miracolo - bronze - 1952
Composizione-Miracolo - bronze - 1956
Miracolo - bronze - 1959
Guerriero - polychrome plaster - 1959
Prigioniero ( reclining ) - bronze - 1943
Cavallo - polychrome plaster - 1942
Giccolieri - #1 and #2 - oils on canvas - 1954
Cavaliere - patinated plaster - 1947
Cavaliere - bronze - 1947
Arcangelo - plaster - 1943
Le Tre Grazie - bronze tile - 1943
Compozione - bronze tile - 1943
Nuotatore - wood - 1932
Ragazza Seduta - terracotta - 1930
Nudo Femminile - polychrome terracotta - 1932
Anita - terracotta - 1943
Cavallo - polychrome plaster - 1952
Figura Seduta - bronze - 1944
And after losing myself in these wonderful artworks it was back out into the crowded laneways of Florence to find a quiet cafe for a shot of caffeine before heading back home to the suburbs.
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